| Plato“We
      can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the
      light.”  ―
      Plato
 “The price good men pay for indifference
      to public affairs is to be ruled by evil men.”  —
      Plato 
 Plato (c. 428-347BC) was a Classical Greek
philosopher, mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in
Athens, the first institution of higher learning in the Western world. Along with his mentor, Socrates, and his
student, Aristotle, Plato helped to lay the foundations of Western philosophy and science. Plato was a monist and posited that everything is made of a single
   substance. Socrates had created the philosophic
   life, but he was not a professional philosopher.  The greatest pupil of Socrates was Plato, who left Athens
   in disgust after Socrates' execution in 399, but returned after 387, settled in a suburb called Academia. 
   Plato established a private society of people known as the Muses, which later became source of the name
   ‘Museum’. One cannot underestimate the influence of
Plato’s dialogues on Western philosophy.  As Alfred North Whitehead put it: “The safest general
characterization of the European philosophical tradition is that it consists of a series of footnotes to
Plato.” The most important writings of Plato are his
dialogues of which six stand out:  Apology, Crito, Phaedo, Phaedrus, Symposium and The
Republic. The dialogues
      of Apology, Crito and Phaedo center on the death of Socrates.  Ideas discussed within these three works are
      genuine knowledge as a form of recollection; the existence of ideal Forms or Ideas; the immortality of the
      soul; and metempsychosis (the passing of the soul after
   death into another body). Symposium discusses the metaphysics
   of love and attempts to connect man’s feeling for beauty with Plato’s theory of Ideas.  Phaedrus, companion
   to Symposium, is also concerned with the nature of love.  In Phaedrus Socrates teaches him through the use
   of myth – the analogy of the soul to a
   charioteer and a pair of winged horses, one noble and the other ignoble.  Socrates
   expounds the idea of the soul’s immortality, its composite nature, and the realm of true knowledge, beauty, wisdom and
   goodness, toward which man’s noble nature
   aspires. The
   Republic contemplates the elements of the ideal state,
   the concept of justice, Plato’s theory of Ideas and the philosopher’s role in society.  To explore the
   latter Plato invents The
   Allegory of the Cave to illustrate his notion that ordinary
   are like prisoners in a cave, observing only the shadows of things, while philosophers are those who venture
   outside the cave and see things as they really are.  Plato’s metaphor shows the eternal conflict between
   the world of the senses (the cave) and the world of Ideas (the world outside the cave), and the philosopher’s
   role as mediator between the two. For Plato philosophy was not mere talk or introspection; it
   is the suspension of customary beliefs and opinions and the questioning of
   prevailing "truths". Using the myth of the 'golden cord' of Ariadne that allowed Theseus to retrace his steps
   out of the labyrinth after killing the Minotaur, criticism, questioning and reasoning is the 'golden cord' which
   Plato urged us to never let go of: lose it and we are pulled like puppets or slaves. Plato’s perfection of Socrates' Question and
Answer (Q&A) technique led toward the discovery of formal logic and the rationalistic criticism of common
beliefs (important in Hellenistic thought and in Christian polemics against paganism). Plato gives the earliest
surviving account of a “natural theology” (circa 360 BC) in his dialogue Timaeus in where he present two worlds:
the physical and eternal.  The physical world changes and perishes and, thus, is the ‘object of opinion and
unreasoned sensation’.  The eternal world never changes which can be apprehended by reason.  Plato’s two
worlds is also expressed in the dualism of Material (physical) and Form (eternal).  Material is always
changing and therefore unknowable.  Form can be known and must therefore be permanent. 
    
        
            | Form | Matter |  
            | Being | Change |  
            | Knowledge | Ignorance |  
            | Light | Darkness |  
            | Beauty | Error |  
            | Truth | Falsity |  
            | The Mind | The Body |  
            | Reason | Sensation |  
            | The Philosopher | The Workman |  Attempting to comprehend the ‘eternal’, Plato
ponders a ‘pre-Genesis’ state:  “Now the whole Heaven, or Cosmos, …we must first investigate concerning it
that primary question which as to be investigated at the outset in every case – namely, whether it has existed
always, having to beginning of generation, or whether it has come into existence, having begun from some
beginning”.   In his dialogue, Laws, we see Plato reflecting on the two grand
   movements in Religious/Philosophical matters - Ascend 
   & Descend:  “…which lead to faith in the gods? …One is our dogma about the soul…the other is our dogma
   concerning the ordering of the motion of the stars”. Carl Sagan said of Plato: "Science and
mathematics were to be removed from the hands of the merchants and the artisans. This tendency found its most
effective advocate in a follower of Pythagoras named Plato. He (Plato) believed that ideas were far more real than
the natural world. He advised the astronomers not to waste their time observing the stars and planets. It was
better, he believed, just to think about them. Plato expressed hostility to observation and experiment. He taught
contempt for the real world and disdain for the practical application of scientific knowledge. Plato's followers
succeeded in extinguishing the light of science and experiment that had been kindled by Democritus and the other
Ionians." In the long run, Plato's influence would be
overshadowed by that of his pupil Aristotle. 
   Aristotle laid the bases for an answer by his studies of logic, his classification of the ways in which objects
   differ (the categories of knowledge). 
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